Korg Musical Instrument AX1000G User Manual

Contents  
1. Introduction --------------------- 3  
Main features ---------------------------- 3  
Printing conventions in this manual -------- 3  
Important things to learn ------------- 4  
Front and rear panel--------------------------- 4  
The modes of the AX1000G ----------------- 7  
2. Playing the AX1000G -------- 8  
Example connections------------------- 8  
Play mode -------------------------------- 8  
Adjusting the master level -------------------- 8  
Adjusting the input level ---------------------- 8  
Selecting a program --------------------------- 8  
Bypass and mute ------------------------------- 9  
Auto tuner ---------------------------------------- 9  
Metronome --------------------------------------- 9  
Expression pedal ------------------------------- 9  
Individual mode------------------------10  
Phrase Trainer mode ------------------11  
3. Editing -------------------------- 12  
Editing an effects-----------------------12  
Quick Editing for the DRIVE-AMP effect  
block ----------------------------------------------12  
Setting the noise reduction and  
program levels -------------------------13  
Modifying the program names -----13  
Writing a programs -------------------13  
4. Appendices-------------------- 14  
Adjusting the expression pedal ----14  
Restoring the user programs to the  
factory settings -------------------------14  
Troubleshooting ------------------------15  
Main specifications --------------------15  
Effect parameters ----------------------16  
DRIVE-AMP effects block---------------------16  
CABINET effect block--------------------------17  
MODULATION effect block ------------------18  
PEDAL effect block-----------------------------20  
AMBIENCE effect block -----------------------22  
Preset Program Parameter List -----23  
E 1  
 
1. Introduction  
Thank you for purchasing the ToneWorks AX1000G Modeling Signal Processor.  
In order to enjoy your AX1000G to the fullest, please read this manual carefully, and use the unit  
correctly. Please keep this manual for future reference.  
Main features  
Korg’s  
modeling technology provides detailed and powerful modeling sounds.  
56 types of modeling effect variations are built-in, and a maximum of eight types of effect can be  
used simultaneously.  
Forty preset programs (4 x 10 banks) and forty rewritable user programs (4 x 10 banks) are built-in.  
You can use the expression pedal to control eleven types of pedal effect in realtime.  
In individual mode you can use foot switches to turn each effect on/off independently.  
The Sample & Play function lets you record a phrase that you play (for a maximum of 8 seconds),  
and then operate the pedal to play back the phrase.  
The Phrase Trainer function lets you record up to 16 seconds of sound from an audio device, and  
play it back at a slower speed without changing the pitch.  
A metronome is built in for practicing convenience.  
Built in tuner mute function for on stage tuning.  
An AUX IN jack is provided so that you can play along with a connected audio device.  
Use the auto chromatic tuner to tune your instrument when the AX1000G is bypassed or muted.  
The LCD (liquid crystal display) features an intuitive visual interface.  
The LCD is backlit for easy visibility even in dark locations.  
What is  
?
(Resonant structure and Electronic circuit Modeling System) is KORG's proprietary  
sound modeling technology which precisely reproduces the complex character and nature of  
both acoustic and electric instruments as well as electronic circuits in real world environments.  
emulates a wide variety of sound generation characteristics including instrument  
bodies, speakers & cabinets, acoustic fields, microphones, vacuum tubes, transistors, etc.  
MODELING AND THE AX1000G  
Most of the models in the AX1000G closely replicate the sounds produced by classic effects,  
speaker cabinets and amplifiers. While we have chosen not to include the specific names of the  
companies and their products, you will quickly recognize them if you are familiar with the  
originals. If you aren’t, you will still thoroughly enjoy the sounds the AX1000G produces. In either  
case, you will be amazed at the quality and variety of effects offered as well as the easy to navigate  
user interface.  
Printing conventions in this manual  
marks a point of caution.  
LCD screens printed in this manual are only for purposes of illustration, and may not match the  
actual display on your AX1000G.  
3
 
1. Introduction  
Important things to learn  
Front and rear panel  
Front panel  
1
2
Effect select knobs  
These knobs select the effect model used in each effect block.  
Effect block LEDs  
The LED will light for effect blocks that are in use. During editing, the LED of the  
selected effect block will blink.  
3
4
Effect block select switches  
Press these switches to turn each effect block on/off.  
Value LEDs  
These LEDs will light to indicate the value knobs that can be used for the selected effect  
model. From the left, they correspond to value knobs 1—5.  
5
Value knobs  
When editing, rotate these knobs to modify the value of the parameter assigned to each  
knob. From the left, these are value knobs 1—5.  
When not editing, these knobs control the parameters of the effect that is assigned to the  
DRIVE-AMP effect block by the selected program. (Refer to p.12, “Quick editing for the  
DRIVE-AMP effect block.”) In general, this is the most important tone shaping effect in a  
multi effect set up.  
6
7
8
Program LEDs  
The LED of the currently selected program number will light.  
Program switches  
Use these switches to select a program.  
Bank switch  
Each time this switch is pressed, the bank number will increase by one. The bank  
number will decrease by one if you simultaneously press the bank switch and program  
switch 4.  
9
Expression pedal  
This pedal controls the effect that is selected for the PEDAL effect block.  
4
 
LCD and control panel  
1
2
Name display  
This shows the program name, effect  
name, or parameter name, as appropri-  
ate for each operation.  
Edit icon  
This will light if the selected program has been edited. It will blink if the program is  
currently being edited.  
3
4
Phrase trainer icon  
This will blink when you are in Phrase Trainer mode.  
Metronome icon  
This will light when the metronome is on. It will blink while the metronome tempo or  
level is being adjusted.  
5
6
7
8
9
0
A
MASTER/VALUE display  
This indicates the master level or parameter values.  
NR-PRG LEVEL switch  
Use this switch to adjust the amount of noise reduction or the level of each program.  
RENAME switch  
Use this switch to modify the name of a program.  
Metronome LED  
This LED will blink in time with the metronome tempo.  
EXIT switch  
From any state, you can press this to return to Play mode.  
WRITE switch  
Use this switch to save an edited program.  
Cursor switches (  
,
)
Use these switches to select the parameter that you wish to edit, or when modifying the  
name of a program.  
B
C
MASTER/VALUE switches (L, L)  
Use these switches to modify the master level or the value of a parameter.  
Pedal LED  
This LED indicates the on/off status of the PEDAL effect, or the recording status when  
the Sample & Play function is being used.  
D
Bank number display  
This shows the bank of the selected program. When a user program is selected, the  
decimal point “.” located at the lower right of the bank number will light.  
5
 
1. Introduction  
Rear panel  
1
2
3
INPUT jack  
Connect your guitar to this jack.  
AUX IN jack (stereo mini)  
Connect the output (AUX OUT: analog) of your audio device to this jack.  
OUTPUT jacks (L/MONO, R)  
Connect these jacks to your guitar amp or mixer etc. For mono connections, use the L/MONO  
jack.  
4
5
: PHONE jack (stereo mini)  
Connect a set of headphones to this jack.  
DC 9V  
Connect the included AC adapter (  
automatically be turned on.  
) here. When the adapter is connected, the power will  
6
Cable hook  
Fasten the cable of the AC adapter around this hook. When taking the cable off the hook, avoid  
pulling the cable with excessive force.  
6
 
The modes of the AX1000G  
The AX1000G has three modes: Play mode, Individual mode, and Phrase Trainer mode.  
Play mode is the mode in which you can select a program and play it. You can select from a total  
of 80 programs that use high-quality effect models: 40 preset programs, and 40 user programs that  
allow you to freely edit the settings to create your very own sounds. When the power is first  
turned on, you will always be in this mode.  
With the factory settings, the user programs contain the same data as the preset programs.  
Individual mode is a mode in which you can use the foot switches (the program switches and  
pedal switch) to individually turn each effect block on/off as you play. It is not possible to switch  
programs in this mode. Use Play mode to select a programs.  
Phrase Trainer mode is a mode in which you can record a phrase from a CD or MD player  
connected to the AUX IN jack, and play it back as a loop. You can practice by playing along with  
the repeating loop. Since you can fix the pitch and slow down the playback speed, this is conve-  
nient for learning or practicing phrases that you have difficulty discerning.  
When you enter this mode, the MODULATION, PEDAL, and AMBIENCE effect blocks will  
automatically be turned off.  
Hold down the bank switch  
for one second  
Play mode  
Individual mode  
· Select programs (40 preset, 40 user)  
· Edit the program  
· Use the program switches to turn  
each effect block on/off  
Press the  
bank switch*  
· Edit the program  
Hold down program switches  
1 and 2 together for one second  
Press either program switches 1 and 2 simultaneously  
*
Phrase Trainer mode  
* When you press the EXIT switch  
you will always return to Play mode.  
Record and play back a phrase from CD etc.  
In Play mode and Individual mode, you can use the effect select knobs etc. to edit the effects,  
adjust the noise reduction and program level, and modify the program name etc.  
7
 
2. Playing the AX1000G  
Play mode  
2. Playing the AX1000G  
When you turn on the power, the AX1000G will  
always enter Play mode, and will be set to the  
program and master level setting that were last  
selected when the power was turned off.  
Example connections  
The power must be off when you make connections.  
Unintentional operation may damage your speaker  
system, or cause malfunctions.  
Adjusting master level  
The MASTER/VALUE display will show the master  
level immediately after the power is turned on, a  
program is selected, and after the EXIT switch is  
pressed.  
1. Connect your cables from the OUTPUT jacks of the  
AX1000G to your guitar amp or mixer etc.  
If you are using a mono connection, connect the L/  
MONO jack. In order to take full advantage of the  
AX1000G’s sound, we recommend that you use  
stereo connections.  
When the master level is shown, you can use the  
MASTER/VALUE switches (L, L) to adjust the master  
level.  
2. If you wish to use headphones, plug them into the  
PHONES jack.  
Adjusting input level  
The output from the OUTPUT jacks will be turned off  
when headphones are plugged in.  
By holding down the EXIT switch and pressing the  
MASTER/VALUE switches, you will be able to adjust  
the input level so that it will match the output of the  
connected instrument.  
3. Connect your guitar to the INPUT jack.  
4. If you wish to use the AUX IN jack, connect an  
external audio device to it. Use the controls of the  
connected device to adjust the volume.  
EXIT + L HI IN”:For high-output pickups such as  
humbucking pickups  
EXIT + L LO IN”: For low-output pickups such as  
single coil pickups  
5. Connect the included AC adapter to the DC 9V jack,  
and plug the AC adapter into an AC outlet. When  
you plug it in, the power will come on automati-  
cally, and the name display will indicate the  
program name.  
Selecting a program  
You can select from 40 preset programs  
User  
program  
and 40 user programs.  
User and preset programs are each  
organized into ten banks, with four  
programs in each bank. The currently  
selected bank is shown by the bank  
number display, and the program is  
shown by the program LEDs. When a  
user program is selected, the decimal point “.” located  
at the lower right of the bank number display will  
light.  
Wrap the AC adapter cable around the cable hook. When  
removing the cable from the hook, be careful not to pull  
the cable with excessive force.  
Preset  
program  
6. When you have finished making connections, turn  
on the power of your guitar amp or mixer etc. Play  
your guitar to produce sound, and check whether  
connections have been made correctly. Adjust the  
master level of the AX1000G and the gain or fader  
controls of your guitar amp or mixer to set an  
appropriate volume level.  
To select a program in the same bank  
Press a program switch 1—4 to select the desired  
program. The program LED of the selected program  
will light, and the name display will indicate the  
program name.  
Audio device  
Headphones  
Stereo-mini  
Guitar  
Guitar amp etc.  
To select a program from a different bank  
Press the bank switch to select the desired bank. (The  
bank number display will blink.) The banks will cycle  
in the order of user banks 0, 1, 2, 3 ...9, preset banks 0,  
1, 2, 3...9, user banks 0, 1, 2, 3...  
Monaural phone plug  
AUX IN  
Stereo-mini  
PHONES  
mono  
Each time you press the bank switch, the bank  
number display will increase by one.  
OUTPUT  
INPUT  
Included AC adapter  
DC9V  
Each time you simultaneously press the bank  
switch and program switch 4, the bank number  
display will decrease by one.  
When the desired bank number appears, press a  
program switch 1—4 to select the desired  
program.(The bank number display will change from  
blinking to lit.)  
8
 
Changing the calibration setting  
Checking the effect blocks used by a program  
Not every program uses all of the effect blocks. When  
you select a program, the effect block LED of each  
effect block that is used will light. The LEDs of effect  
blocks that are unused will be dark.  
As necessary, you can adjust the calibration (the  
frequency of the standard A pitch) in the range of  
438—445 Hz. (440 Hz is “standard”)  
When the tuner is operating, use the MASTER/VALUE  
switches (L, L) to adjust the setting. The calibration  
setting will appear in the MASTER/VALUE display.  
Bypass and mute  
Bypass  
If you press and hold the program switch of the  
currently selected program for 0.5 seconds, all effects  
will be bypassed. At this time, the program LED will  
blink, and the name display will indicate “BYPASS”  
for one second.  
When the power is turned off, the calibration setting you  
modify will be lost, and will automatically return to 440 Hz  
the next time the power is turned on.  
Metronome  
1. When you simultaneously press the RENAME and  
EXIT switches, the metronome will start. (The  
metronome icon will blink.)  
To defeat bypass, press the program switch whose LED  
is blinking, or press any other program switch.  
2. Use value knob 4 to adjust the tempo (range 40—  
208: shown in the MASTER/VALUE display).  
Mute  
If you press and hold the program switch of the  
currently selected program for one second and the  
sound of your guitar will be muted. At this time, the  
program LED will blink more rapidly, and the name  
display will indicate “MUTE” for one second.  
To defeat mute, press the program switch whose LED  
is blinking, or press any other program switch.  
3. Use value knob 5 to adjust the volume of the  
metronome sound (range 0—30: shown in the  
MASTER/VALUE display).  
4. While the metronome is operating, simultaneously  
press the RENAME and EXIT switches to stop the  
metronome.  
Auto tuner  
When the AX1000G is in bypass or mute condition, the  
tuner will operate automatically. If you mute the  
AX1000G you will be able to tune your instrument  
without producing sound. This is used for on stage  
tuning.  
1. Tune your guitar approxi-  
Level  
Tempo  
On, Off  
mately so that the desired note  
name appears in the bank  
number display. The decimal  
point “.” at the lower right of  
the bank number display will  
light to indicate a sharp #.  
Example display  
=A  
If you switch programs or edit while the metronome is  
operating, it will no longer be possible to adjust the  
tempo or level. To re-adjust the tempo or level, you  
must first stop the metronome, and then start it once  
again.  
=D#  
When the AX1000G is bypassed or muted, it will not be  
possible to adjust the tempo or level.  
2. Fine-tune your guitar so that only the center of the  
five value LED’s is lit (or so that only the center of  
the name display is shown).  
Expression pedal  
Tuning discrepancy shown by the value LEDs  
You can use the expression pedal for realtime control  
of eleven types of effects in the pedal effect block.  
If the program uses an effect in the pedal effect block,  
the pedal effect block LED will light. For the Hold  
Delay, Tap Tempo Delay, and Sample & Play pedal  
effects, the operation is different than for other effects  
(refer to p.21).  
and the name display  
Value LEDs  
Name display  
Pitch is flat  
Pitch is sharp  
Correct tuning  
9
 
2. Playing the AX1000G  
Using the expression pedal as you play  
1. In Play mode, select a program that uses the  
expression pedal.  
Individual mode  
In this mode you can press the program switches or  
the pedal switch to turn each individual effect block  
on/off while you play.  
2. Make sure that the pedal LED is lit. If it is not lit,  
press the expression pedal firmly once to make the  
pedal LED light (the pedal will be turned on).  
As in Play mode, you can edit the settings, use the  
metronome, and write a program.  
3. Operate the expression pedal while playing your  
guitar. As you raise and lower the pedal, the output  
sound will change correspondingly.  
In this mode it is not possible to switch programs or to  
select bypass or mute.  
Entering Individual mode  
If Volume is selected in the PEDAL effect block, it will not  
be possible to turn the expression pedal on/off. It will  
remain on (the pedal LED will be lit).  
In Play mode press and hold the Bank switch for one  
second, and you will enter Individual mode. The name  
display will indicate “-INDIV-,” and the bank number  
The on/off status of the expression pedal is not  
memorized by each program.  
display will indicate “ .”  
Do not apply excessive force to the expression pedal.  
Before operating the expression pedal, verify the amount  
of force that is required to make the pedal LED light and  
to apply the effect.  
When you enter Individual mode, the program LED’s  
will indicate the on/off status of each effect block  
(synchronized with the effect block LED’s).  
DRIVE-AMP corresponds to program switch (LED) 1,  
CABINET to 2, MODULATION to 3, AMBIENCE to  
4, and PEDAL to the expression pedal (pedal LED).  
Each time you press a program switch, it will cycle on  
or off. For the pedal effect, pressing the expression  
pedal firmly will turn it on/off (the switch is located  
under the pedal). However for some pedal effects such  
as SAMPLE & PLAY, the expression pedal is used in a  
special way, and cannot be turned off once the pedal  
has been turned on.  
For some effects, it is not possible to simultaneously use  
the MODULATION and PEDAL effect blocks, or the  
PEDAL and AMBIENCE effect blocks. If you attempt to  
simultaneously turn on both of these effect blocks in such  
a combination, the effect block that was turned on first  
will automatically be turned off.  
Indication of currently used effect blocks  
Exiting Individual mode  
To return to Play mode, press either the bank switch or  
the EXIT switch.  
10  
 
5. Stop  
Phrase Trainer mode  
When you press program switch 2 (  
), playback  
) once again,  
In this mode, you can record a phrase from an audio  
device (CD or MD) connected to the AUX IN jack, and  
play it back repeatedly as a loop. Then you can practice  
a phrase on your guitar while listening to the repeating  
phrase.  
will stop. Press program switch 2 (  
and playback will resume from where you stopped.  
If program switch 1 ( ) is pressed while stopped,  
you will return to the beginning of the recorded phrase.  
·
· By pressing the cursor switches, you can playback in  
reverse ( ) or forward ( ) as long as you hold down  
the switch.  
· During recording or while stopped, the sound that is  
connected to the AUX input will be heard.  
· When not recording, you can use the expression  
pedal to adjust the level of the effect sound.  
Since you can slow down the playback speed without  
affecting the pitch, this is a convenient way to learn or  
practice phrases from recordings that are difficult to play.  
When you enter this mode, the MODULATION, PEDAL,  
and AMBIENCE effect blocks will automatically be turned  
off. (When you exit Phrase Trainer mode, the previous  
settings will be restored.)  
6. Playback  
1. Enter Phrase Trainer mode  
During recording or while stopped, press program  
From Play mode, simultaneously press and hold  
program switches 1 and 2 for one second. The  
MASTER/VALUE display will indicate the selected  
recording mode, and the Phrase Trainer icon will blink.  
switch 2 (  
repeating loop.  
)
to playback the recorded phrase as a  
By pressing program switch 3 (SPEED) or the MAS-  
TER/VALUE switches (L, L), you can slow down the  
playback speed without affecting the pitch.  
· Each time you press program switch 3 (SPEED), the  
playback speed will cycle through settings of 100%,  
75%, 50%, 25%, 100% ...  
2. Select the recording mode  
Use the MASTER/VALUE switches (L, L) to select the  
recording mode. When the name display indicates  
SHT,” a maximum of 8 seconds can be recorded (high  
quality sound). When it indicates “LNG”, a maximum  
of 16 seconds can be recorded (extended recording  
time). The phrase will be recorded and played back  
monaurally.  
· By pressing the MASTER/VALUE switches (L, L), the  
speed can be adjusted in 5% steps; 100%, 95%, 90%, ... 25%  
During playback, you can press cursor switch ( ) to  
playback at double speed as long as you continue  
pressing the switch.  
If you press cursor switch ( ), the recording will play back  
in reverse as long as you continue pressing the switch.  
.
3. Begin recording  
Start the audio device that is connected to the AX1000G,  
and press the bank switch (REC) at the point where you  
wish to begin recording. The name display will indicate  
REC” and the number of seconds of recording.  
If you press program switch 1 (  
rewind as long as you continue pressing the switch.  
), the recording will  
7. Hold  
Once you record a phrase, it is not possible to change  
the recording mode. If you wish to change the recording  
mode, you must return to Play mode, and once again  
enter Phrase Trainer mode.  
By pressing program switch 4 (HOLD), you can hold the  
sound that was playing at the moment the switch was  
pressed. When you press the switch once again, hold  
will be defeated. By pressing a cursor switch while the  
sound is being held, you can playback backward ( ) or  
forward ( ) as long as you continue holding the switch.  
4. Stop recording  
At the point where you wish to stop recording, press  
program switch 2 (  
)or the bank switch (REC).  
If you press program switch 1 (  
one second, cancel Hold, and begin playback.  
), you will go back  
Recording will end, and the name display will indicate  
PLAY.” The recorded phrase will automatically begin  
playing repeatedly as a loop.Recording will also end  
automatically if you continue recording for the  
maximum time length of the selected recording mode.  
Depending on the volume of the connected audio device,  
the sound may be distorted. If this occurs, adjust the  
volume on the audio device.  
The sound of your guitar will be muted during recording.  
To re-do the recording  
Press program switch 2 (  
continue with step “3. Begin recording” and step “4.  
Stop recording.”  
Start/stop playback  
Rewind/Cue  
Change playback speed  
Hold  
) to stop playback. Then  
Start/stop recording  
Exiting Phrase Trainer mode  
To return to Play mode, you can either press program  
To erase the recorded phrase  
switches 1 and 2 simultaneously, or press the EXIT switch.  
Press the EXIT button to delete the phrase. Alterna-  
tively, you can record a new phrase to overwrite the  
previously-recorded phrase.  
When you exit Phrase Trainer mode or turn off the power,  
the recorded phrase will be erased.  
11  
 
3. Editing  
Selecting a parameter  
Modifying a parameter value  
3. Editing  
In Play mode and Individual mode, you can edit each  
effect, set noise reduction and program level, and  
modify the program name.  
In Phrase Trainer mode, it is possible to edit the DRIVE-  
AMP and CABINET effect blocks, but it is not possible to  
perform editing operations that use the name display or  
MASTER/VALUE display, or the cursor switches or the  
MASTER/VALUE switches.  
TREBLE  
BASS  
DRIVE  
MIDDLE  
LEVEL  
During editing, the edit icon in the display will blink.  
The parameter assigned  
to the knob you moved  
Instead of the five value knobs, you can also use the  
cursor switches to select parameters, and use the  
MASTER/VALUE switches (L, L) to adjust the value  
of the parameter currently shown in the name display.  
Edit icon  
Value of the parameter  
If you do not wish to use the DRIVE-AMP effect block,  
press the DRIVE-AMP effect block select switch until  
the LED goes dark. The DRIVE-AMP effect block is  
now bypassed, and the name display will indicate “-  
OFF-.”  
Editing effects  
Rotate the effect select knob of the effect block that you  
wish to edit, or press the corresponding effect block  
select switch. The effect block LED will begin blinking,  
indicating that it has been selected for editing.  
For some effects, it is not possible to simultaneously use  
the MODULATION and PEDAL effect blocks, or the  
PEDAL and AMBIENCE effect blocks. If you attempt to  
turn on both effect blocks in such a combination, the  
block that had been turned on will automatically be  
turned off.  
Use the effect select knob, effect block select switch,  
and value knobs to edit the settings.  
If you wish to save the edited effect, perform the  
Program writeoperation. If you fail to do this, the effect  
program will revert to its original settings when you turn  
off the power or select a different program.  
Quick Editing for the DRIVE-AMP  
As an example, we will explain how to edit the TUBE  
OD (Tube Overdrive) effect of the DRIVE-AMP block.  
1. If the name display indicated “TUBE OD” when  
you pressed the effect block select switch, simply  
continue. If not, turn the DRIVE-AMP effect select  
knob to the TUBE OD position. If the effect select  
knob was already located at TUBE OD, first select a  
different effect model, and then turn the knob back  
to TUBE OD.  
effect block  
In the default state of each mode, the DRIVE-AMP  
effect block parameters used by the selected program  
are assigned to the value knobs (except when the effect  
is off).  
By rotating the respective value knobs, you will enter  
Edit mode (the effect block LED will blink); the name  
display will indicate the parameter name, the MAS-  
TER/VALUE display will show the value, and the  
sound will change.  
2. The effect block LED will begin blinking, indicating  
that it has been selected for editing. (The name  
display will indicate the model name as “TUBE  
OD.”) If you selected a programmed effect, the  
ORIG icon will light.  
If you wish to change an effect that is in use, use the  
effect select knobs to select the desired effect.  
It is not possible to edit when other functions are  
assigned to the value knobs, when the AX1000G is  
bypassed, muted, or recording in Phrase Trainer mode.  
3. The five value LED’s will light, and the correspond-  
ing value knobs will be assigned to DRIVE,  
LEVEL, TREBLE, MIDDLE, and BASS respec-  
tively, and will function as knobs that adjust the  
value of each parameter. (Refer to p.16, “Effect  
parameters.”)  
4. Rotate the knobs and the sound will change. The  
name display will indicate the name of the  
parameter assigned to that knob, and the MAS-  
TER/VALUE display will indicate the value. At this  
time, the ORIG icon will light when the position of  
the knob matches the original value — i.e., the  
value before you began editing.  
12  
 
Setting the noise reduction and  
program levels  
Modifying program names  
Press the RENAME switch and specify the desired  
program name. Use the cursor switches (  
,
) to  
1. If you are in Play mode, press the NR-LEVEL  
switch.  
select the character that you wish to change (the  
character will blink). Then use value knob 5 (or the  
MASTER/VALUE switches) to select the desired  
character. The available characters are shown below.  
2. By rotating value knobs 1 or 2, or pressing the NR-  
LEVEL switch, you can access the screen displays  
for adjusting the noise reduction and setting the  
level for each program.  
Available characters  
3. To adjust the amount of noise reduction, use value  
knob 1 (range OFF...10: shown in the MASTER/  
VALUE display).  
4. To adjust the level of each program, use value knob  
2 (range 0...10: shown in the MASTER/VALUE  
display).  
Select characters  
Move between  
character positions  
If you wish to save the modified program name, you must  
perform the Program writeoperation. If you turn off the  
power or select a different program without writing the  
program, the program name you edited will revert to its  
previous setting.  
5. When you finish making settings, press the EXIT  
switch to return to Play mode.  
Writing programs  
Here’s how to write an edited program.  
1. Press the WRITE switch, and the name display will  
indicate “LWRITEL.” The bank number display  
and the program LED will blink.  
Noise reduction  
Level  
2. Use the MASTER/VALUE switches (or value knob  
5 and the bank switch) to select the writing  
destination bank, and use the cursor switches (or  
the program switch) to select the writing destina-  
tion program.  
Instead of value knobs 1 and 2, you can also use the  
cursor switches to select a parameter and use the  
MASTER/VALUE switches (L,L) to adjust the value  
of the parameter.  
It is not possible to turn noise reduction off.  
3. Press the WRITE switch once again, and the display  
will read “COMPLT” to indicate that the program  
has been written. You will then return to Play  
mode.  
Depending on the guitar that you use, raising the noise  
reduction setting too high may cause the sound to be cut  
off at low levels.  
The volume of each program will change depending on  
the guitar that you use. Adjust the program level for your  
guitar.  
If you decide not to write, press the EXIT switch to  
cancel the Write operation.  
Select the bank Select the program  
If you wish to save the noise reduction and program level  
settings that you edited, you must perform the Program  
writeoperation. If you turn off the power or select a  
different program without writing the program, the  
program you modified will revert to its previous settings.  
Select the program  
Select the bank  
If you write an edited program to a different program  
number, the program that was overwritten will be lost.  
It is not possible to write to a preset program.  
13  
 
4. Appendices  
Restoring the user programs to  
the factory settings (Reload)  
1. Turn on the power while simultaneously holding  
down the EXIT switch and the bank switch. The  
name display will indicate “RELOAD?”  
4. Appendices  
Adjusting the expression pedal  
(Calibration)  
If you find the expression pedal difficult to use,  
perform this procedure so that the pedal will function  
optimally. For example if the effect does not reach  
maximum when the pedal is advanced all the way, or  
does not reach minimum when the pedal is returned  
all the way, use the following procedure to make the  
appropriate adjustments.  
If you press the EXIT switch, the reload operation will not  
occur; the power-on display will appear, and you will  
enter Play mode.  
2. Press the WRITE switch. The name display will  
change to “RELOAD,” and the reload operation  
will begin. When the reload operation is completed,  
the display will indicate “COMPLT” for approxi-  
mately one second. Then the power-on display will  
appear, and you will enter Play mode.  
When making adjustments, use your hand to move the  
pedal. Accurate calibration may not be possible if you use  
your foot to operate the pedal.  
Never turn off the power during the reload operation.  
1. Turn on the power while simultaneously holding  
down the EXIT switch and the PEDAL effect block  
select switch.The name display will show “PEDAL”  
for approximately one second, and will then  
indicate “MIN.”  
When you perform the reload operation, all user  
programs will be rewritten. Master level, metronome, and  
input level settings will also be initialized.  
2. Slowly return the pedal to the full back position.  
When it stops, release your hand and press the  
WRITE key.The name display will change from  
MIN” to “MAX.”  
If you decide to halt the adjustment procedure, press the  
EXIT switch. The power-on display will appear, and you  
will enter Play mode.  
3. Slowly advance the pedal. When it stops, release  
your hand and press the WRITE key.  
2. Press slowly  
3. Press slowly  
The LCD display will indicate “COMPLT” for  
approximately one second. Then the power-on display  
will appear, and you will enter Play mode.  
After the adjustment procedure has been completed,  
verify the operation of the pedal.  
Select an effect that will make it easy to verify the  
adjustment. For example, set the pedal effect block to  
the VOLUME effect, set the value to 0, and check the  
MIN level when the pedal is returned all the way.  
If you make a mistake during the calibration procedure,  
the LCD will indicate ERROR,and you will return to the  
screen before the adjustment (the MINdisplay). If the  
ERRORdisplay appears for repeated attempts, a  
malfunction may have occurred. In this case, please  
contact your dealer.  
14  
 
Troubleshooting  
If you suspect a malfunction, please check the  
following points first. If this does not resolve the  
problem, contact a nearby dealer.  
Main specifications  
• Number of effects: 56 types (maximum number of  
effects usable simultaneously: 8)  
• Number of programs: 80 (40 preset, 40 user)  
• Inputs: Guitar input (mono phone jack)  
AUX IN (stereo mini jack)  
1. Power does not turn on  
· Is the AC adapter plugged into an AC outlet?  
(
p.6, 8)  
L
• Outputs:  
Output x 2 (mono phone jack)  
Headphones (stereo mini jack)  
· Is the included AC adapter connected? ( p.6, 8)  
L
• Tuner section  
2. No sound  
Detection range: 27.5 Hz — 2,093 Hz (A0—C7)  
Calibration: A=438—445 Hz  
· Are your guitar, amp, and headphones respectively  
connected to the correct jack? ( p.6, 8)  
L
• Metronome section  
· Is the power of your amp turned on, and is it set  
accordingly?  
Tempo:  
bpm= 40—208  
• Power supply: DC9V (included AC adapter  
)
· Is one of your connection cables broken?  
· Is the master level of the AX1000G set to “0” or to a  
• Dimensions:  
• Weight:  
420 (W) x 187.7 (D) x 65.4 (H) mm  
2.4kg  
low value? ( p.8)  
L
· Is the program level of the AX1000G set to “0” or to  
• Included items: Owner’s manual  
AC adapter  
a low value? ( p.13)  
L
· Is the LEVEL of the DRIVE-AMP effect set to “0”  
or to a low value?  
* Specifications and appearance are subject to change  
with out notice for improvement.  
· Is the volume of your guitar turned down?  
· Is the AX1000G muted?  
· If VOLUME is selected for the PEDAL effect, has  
the pedal been returned to the full back position?  
3. Effects are not applied  
· Is the AX1000G bypassed? ( p.9)  
L
· Are the effects used by the program turned on?  
(
p.4, 9)  
L
4. Metronome does not function  
· Are you in Play mode or in Individual mode?  
The metronome will not function in Phrase Trainer  
mode.  
· Is the metronome output level set to “0”? ( p.9)  
L
5. Pedal does not function  
· Have you selected a program that uses an effect in  
the PEDAL effect block? ( p.9)  
L
· Is the pedal LED lit? ( p.9)  
L
· Try adjusting (calibrating) the expression pedal.  
( p.14)  
L
6. Cannot write (the name display indicates “ER-  
ROR”)  
· Reload the preset programs. ( p.14)  
L
15  
 
4. Appendices  
Effect parameters  
DRIVE-AMP effects block  
These effect models consist of effects plus a three-band  
equalizer.  
Knob 1  
DRIVE  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
Knob 2  
Knob 3  
TREBLE  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
Knob 4  
MIDDLE  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
Knob 5  
BASS  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
DRIVE-AMP  
LEVEL  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
ACOUSTIC  
CLASSIC COMP  
TUBE OD  
CLASSIC DIST  
FAT DIST  
METAL DIST  
SEATTLE  
BIG FUZZ  
TOP BOOST  
US HI-GAIN  
BRIT STACK  
Acoustic simulator  
This is an effect model that converts the sound of an electric  
guitar to that of an acoustic guitar.  
Overdrive, Distortion, Fuzz, Amp  
The effect model offers a wide variety of classic sounds.  
TUBE OD TUBE OD”  
ACOUSTIC  
ACOUSTIC”  
This model simulates the overdriven sound of a popular tube  
overdrive pedal from the 70’s that responds well to the  
nuances of your picking.  
A more realistic simulation of an acoustic guitar will be  
produced if you use the neck pickup.  
A compressor with adjustable sensitivity is built-in.  
CLASSIC DIST  
This model simulates a poular distortion pedal from the 70’s.  
FAT DIST FATDIST”  
CL DIST”  
If the sound distorts, slightly decrease the LEVEL,  
TREBLE, MIDDLE, and BASS.  
This model simulates a popular fat sounding disortion pedal  
from the 80’s.  
Knob 1 DRIVE  
Knob 2 LEVEL  
Adjusts the compressor sensitivity.  
Adjusts output level.  
Knob 3 TREBLE Adjusts treble (high-frequency range).  
Knob 4 MIDDLE Adjusts mid (mid-frequency range).  
METAL DIST  
MTLDIST”  
This model simulates the metallic distortion of the 90’s.  
Knob 5 BASS  
Adjusts bass (low-frequency range).  
SEATTLE SEATTLE”  
This model is ideal for grunge rock sounds.  
BIG FUZZ BIGFUZZ”  
Big sound and a big figure -- the definitive fuzz.  
TOP BOOST TOP BST”  
Compressor  
A compressor boosts quiet sounds and decreases loud sounds to  
even out differences in volume, in order to make the dynamics  
more consistent.  
This model simulates the sound of an AC30 overdriven by a  
popular 80’s OD pedal.  
CLASSIC COMP CL COMP”  
This is a compressor makes your playing dynamics more  
consistent, and produces a smooth sustain. This model is based  
on a combination of two popular vintage compressors.  
US HI-GAIN  
US HI-G”  
This model simulates the distortion typical of a high-gain amp  
made in the USA.  
If the sound distorts, slightly decrease the LEVEL,  
TREBLE, MIDDLE, and BASS.  
BRIT STACK  
BRTSTK”  
This model simulates the distortion typical of a British amp  
stack.  
Knob 1 DRIVE  
Knob 2 LEVEL  
Adjusts sensitivity.  
Knob 1 DRIVE  
Knob 2 LEVEL  
Adjusts amount of distortion.  
Adjusts output level.  
Adjusts output level.  
Knob 3 TREBLE Adjusts treble (high-frequency range).  
Knob 4 MIDDLE Adjusts mid (mid-frequency range).  
Knob 3 TREBLE Adjusts treble (high-frequency range).  
Knob 4 MIDDLE Adjusts mid (mid-frequency range).  
Knob 5 BASS  
Adjusts bass (low-frequency range).  
Knob 5 BASS  
Adjusts bass (low-frequency range).  
16  
 
CABINET effect block  
The shape of the cabinet and the type and number of speakers  
are very important elements in determining the tonal character  
of a guitar amp.  
The CABINET effect block provides models that faithfully  
simulate the cabinet and speaker characteristics of a variety of  
guitar amps, from vintage to modern.  
Although these models are especially effective when you are  
plugged in to a mixer etc. via a direct line connection, they are  
also effective when you are using a guitar amp.  
Knob 1  
Knob 2  
LEVEL  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
Knob 3  
PRESENCE  
0...10  
Knob 4  
Knob 5  
CABINET  
AIR  
1x8 TWEED  
AP, 0.3...9.7, Ln  
AP, 0.3...9.7, Ln  
AP, 0.3...9.7, Ln  
AP, 0.3...9.7, Ln  
AP, 0.3...9.7, Ln  
AP, 0.3...9.7, Ln  
AP, 0.3...9.7, Ln  
AP, 0.3...9.7, Ln  
AP, 0.3...9.7, Ln  
AP, 0.3...9.7, Ln  
AP, 0.3...9.7, Ln  
1x12 TWEED  
0...10  
1x12 BLACK PANEL  
1x12 AC15  
0...10  
0...10  
2x12 BLACK PANEL  
2x12 AC30  
0...10  
0...10  
2x12 CLASS A  
4x10 TWEED  
0...10  
0...10  
4x12 CLASSIC  
4x12 VINTAGE  
4x12 MODERN  
0...10  
0...10  
0...10  
Knob 1 AIR  
This simulates the resonance of the  
cabinet, and the comb filtering effect  
produced by interference between the  
speakers.  
1x8 TWEED  
18 TWD”  
This model simulates an open back cabinet with one 8-inch  
speaker.  
1x12 TWEED  
1-12 TWD”  
Decreasing this value will produce a  
sound that is more suitable for connection  
to a guitar amp. Increasing this value will  
produce a sound that is more suitable for  
direct-line connection.  
This model simulates an open back cabinet with one 12-inch  
speaker typically used for blues.  
1x12 BLACK PANEL 1-12 BLK”  
This model simulates an American open back cabinet with one  
12-inch speaker and a bright tonal character.  
Knob 2 LEVEL  
Adjusts output level.  
1x12 AC15  
1-12AC15”  
This model simulates a Vox open back cabinet with one 12-inch  
“Blue” speaker.  
Knob 3 PRESENCE Adjusts tone of the high-frequency range.  
If the sound distorts, slightly lower the LEVEL and  
PRESENCE.  
2x12 BLACK PANEL 2-12 BLK”  
This model simulates an American open back cabinet with two  
12-inch speakers.  
2x12 AC30  
2-12AC30”  
This model simulates a Vox open back cabinet with two 12-  
inch “Blue” speakers.  
2x12 CLASS A  
2-12 CLA”  
This model simulates a modern open back cabinet with two 12-  
inch speakers.  
4x10 TWEED  
4-10 TWD”  
This simulates an open back cabinet with four 10-inch  
speakers.  
4x12 CLASSIC  
4-12 CLS”  
This simulates a closed back cabinet with four 25W 12-inch  
speakers.  
4x12 VINTAGE  
4-12 VIN”  
This simulates a closed back cabinet with four 30W 12-inch  
speakers.  
4x12 MODERN  
4-12 MDN”  
This simulates a closed back cabinet with four 75W 12-inch  
speakers.  
17  
 
4. Appendices  
MODULATION effect block  
Knob 1  
Knob 2  
Knob 3  
SPEED/PITCH  
0.1...10[Hz]  
0.1...10[Hz]  
0.1...10[Hz]  
0.1...10[Hz]  
0.1...10[Hz]  
0.1...10[Hz]  
1...10[Hz]  
Knob 4  
DEPTH/FINE  
0...10  
Knob 5  
MIX/POLARITY  
1, 2  
MODULATION  
TIME  
FEEDBACK  
CLASSIC CHORUS  
STEREO CHORUS  
CLASSIC FLANGER  
MOD DELAY  
1...10  
1...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0.5...900[ms]  
0...10  
0...10  
BLACK PHASER  
ORANGE PHASER  
TEXTREM  
0...10  
PITCH SHIFTER  
FILTRON  
0...900[ms]  
1...10  
0...10  
0...10  
24...24[x100 CENT] 15...15[CENT]  
0...10  
up, dn  
up, dn  
0...10  
0...10  
0...10  
0...10  
AUTO WAH  
1...10  
OCTAVE  
MOD DELAY  
MOD DLY”  
Chorus, Flanger  
Chorus and flanger are effects that delay the sound slightly to  
modulate the pitch, and combine the modulated sound with the  
original to produce a sensation of modulated spaciousness.  
This effect modulates the delay time to produce chorus and  
flanger-like effects. Adding a small amount of depth with  
longer delay settings gives you a very effective modulated  
echo sound.  
CLASSIC CHORUS  
This simulates the very first vintage chorus unit. For the best  
results, use it in stereo .  
CL CHOR”  
Knob 1 TIME  
Adjusts delay time.  
Knob 2 FEEDBACK Adjusts feedback.  
Knob 3 SPEED  
Knob 4 DEPTH  
Knob 5 MIX  
Adjusts speed.  
Knob 3 SPEED  
Knob 4 DEPTH  
Knob 5 MIX  
Adjusts speed.  
Adjusts depth.  
Adjusts depth.  
Adjust the mix amount of effect sound.  
1: Use for mono output.  
2: Use for stereo output.  
Phaser  
This effect cyclically modifies the phase shift of the sound, and  
mixes the phase-shifted sound with the original sound to  
produce modulation. The phased sound will become milder as  
the number of stages is increased.  
STEREO CHORUS  
ST CHOR”  
This simulates a vintage stereo chorus unit that inverts the  
phase of the effect sound between left and right channels to  
make the sound more spacious. Adjusting the three knobs can  
produce a wide variety of results.  
BLACK PHASER  
BL PHAS”  
This is a popular four-stage vintage phaser.  
Knob 1 TIME  
Adjusts delay time.  
Knob 2 ———  
Knob 3 SPEED  
Knob 4 DEPTH  
————  
ORANGE PHASER OR PHAS”  
This is a ten-stage vintage phaser that produces a milder  
effect.  
Adjusts speed.  
Adjusts depth. If this knob is placed in the  
10position, the TIME knob will have no  
effect.  
Knob 2 FEEDBACK Adjust the degree of character.  
Knob 3 SPEED  
Adjust the speed of modulation.  
CLASSIC FLANGER CL FLAN”  
This is a vintage flanger with rich tone. The settings can also be  
adjusted to produce chorus or vibrato-like effects.  
Tremolo  
This modulates the volume to add depth to the sound.  
TEXTREM TEXTREM”  
This effect model simulates the tremolo built into a guitar  
amp.  
Knob 1 TIME  
Adjust the delay time. This controls the  
bandwidth over which the effect is applied.  
As this setting approaches 0, modulation  
will occur at a higher pitch.  
Knob 3 SPEED  
Knob 4 DEPTH  
Adjusts speed.  
Adjusts depth.  
Knob 2 FEEDBACK Adjust the strength of tonal character. To  
produce a jet airplane-like sound, increase  
to desired level.  
Knob 3 SPEED  
Knob 4 DEPTH  
Adjusts speed.  
Adjusts depth. If this knob is placed in the  
10position, the TIME knob will have no  
effect.  
18  
 
Pitch shifter  
This effect modifies the pitch.  
PITCH SHIFTER PITCH”  
This pitch shifter can be adjusted over a +/-2 octave range.  
Knob 1 TIME  
Adjusts delay time.  
Knob 2 FEEDBACK Adjusts amount of feedback  
(delay repeats).  
Knob 3 PITCH  
Knob 4 FINE  
Adjusts amount of pitch change.  
Fine adjustment for the amount of pitch  
change.  
Knob 5 MIX  
Adjusts mix amount of effect sound.  
Auto wah  
This is an auto-wah filter that automatically opens and closes  
according to the attack with which you play your guitar. The  
effect will vary depending on the guitars volume setting.  
FILTRON  
FILTRON”  
This is a low-pass filter type auto-wah.  
Knob 1 TIME Adjust the speed at which the wah will  
rise in response to your picking.  
Knob 2 FEEDBACK Adjust the peak of the wah sound.  
Knob 3 ———  
————  
Knob 4 DEPTH  
Adjust the sensitivity with which the wah  
will respond to your picking.  
Knob 5 POLARITY Specify the direction in which the wah will  
operate.  
AUTO WAH  
AUTOWAH”  
This is a band-pass filter type auto-wah that is equivalent to a  
pedal wah. It is placed before the DRIVE-AMP effect block.  
Knob 1 TIME  
Adjust the speed at which the wah will  
rise in response to your picking.  
————  
Knob 2 ———  
Knob 3 ———  
Knob 4 DEPTH  
————  
Adjust the sensitivity with which the wah  
will respond to your picking.  
Knob 5 POLARITY Specify the direction in which the wah will  
operate.  
Octave  
This generates a pitch one octave lower than the original sound,  
and mixes it with the original sound to add a sense of depth and  
low end.  
This effect may not operate correctly if two or more  
strings are played simultaneously, or when low-pitched  
strings are played.  
OCTAVE  
OCTAVE”  
Knob 4 DEPTH  
Adjust the amount of the ultra-low pitch  
(one octave below).  
Knob 5 MIX  
Adjust the amount of the original sound.  
19  
 
4. Appendices  
PEDAL effect block  
These effect models let you use the expression pedal to control  
the effect in realtime. They include a volume pedal, modulation-  
type effects such as VOX WAHRING MOD, and ambience-  
type effects such as HOLD DELAYSAMPLE&PLAY.  
VOX WAHRING MOD cannot be used simultaneously  
with the MODULATION effect block. Nor is it possible to  
use HOLD DELAYSAMPLE&PLAY simultaneously with  
the AMBIENCE effect block.  
Knob 1  
Knob 2  
Knob 3  
Knob 4  
Knob 5  
PEDAL  
FEEDBACK/  
BOTTOM/SPEED/  
PITCH/TONE  
LEVEL/MIX/  
TOP/TIME  
CENTER/REVERSE  
DEPTH/FINE POLARITY  
VOLUME  
0...10  
VOX WAH  
TRAVELER  
TALK  
0...10  
A, E, I, O, U  
0...10  
0...10  
A, E, I, O, U  
1...10  
A, E, I, O, U  
0.1...10  
CHORUS/FLANGER  
U-VIBE  
0...10  
0...10  
1, 2  
PITCH BEND  
RING MOD  
HOLD DELAY  
TAP DELAY  
SAMPLE&PLAY  
0...900[ms]  
0...10  
24...24[x100 CENT  
]
15...15[CENT  
]
0...10  
1...10  
1...10  
1...10  
0[ms]...3[SEC]  
0[ms]...3[SEC]  
0...10  
0...10  
0...10  
0...10  
0...10  
0.5...8[SEC] OFF, 1, 2...8, LP1, LP2  
Volume  
Chorus/Flanger  
This is a chorus/flanger effect that uses the pedal to control the  
mix amount of the effect.  
This is a volume pedal.  
VOLUME  
VOLUME”  
If you use this effect in a program where the MODULA-  
TION effect block is on, the MODULATION effect block  
will automatically be turned off.  
Knob 5 LEVEL  
Adjust the minimum level for when the  
pedal is in the full back position.  
CHORUS/FLANGER CH/FLAN”  
Pedal wah, Traveler, Talking pedal  
These are wah (filter) effects that use the pedal to control the  
frequency response.  
Knob 1 TIME  
Adjusts delay time.  
Knob 2 FEEDBACK Adjusts amount of feedback  
(delay repeats).  
If you use this effect in a program where the MODULA-  
TION effect block is turned on, the MODULATION effect  
block will automatically be turned off.  
Knob 3 SPEED  
Knob 4 DEPTH  
Adjusts pitch modulation speed.  
Adjusts pitch modulation depth.  
VOX WAH  
WAH”  
U-Vibe  
This simulates a vintage wah pedal. There are no adjustable  
parameters. It is placed ahead of the DRIVE-AMP effect block.  
This simulates a vintage vibrato/rotary speaker simulator.  
If you use this effect in a program where the MODULA-  
TION effect block is on, the MODULATION effect block  
will automatically be turned off.  
TRAVELER  
TRAVEL”  
This is a low-pass filter type wah modeled after a vintage Korg  
effect pedal.  
U-VIBE  
U-VIBE”  
Knob 1 ———  
————  
Knob 4 DEPTH  
Knob 5 MODE  
Adjusts depth of the effect.  
0: Mixes the original sound with the ef-  
fected sound (Chorus mode)  
1: Output only the effect sound  
(Vibrato mode)  
Knob 2 FEEDBACK Adjust the peak amount of the filter.  
Knob 3 ———  
Knob 4 ———  
Knob 5 LEVEL  
————  
————  
Adjust the output level.  
TALK  
TALK”  
This adds vocal type effects to your guitar.  
Knob 1 TOP Select the vowel sound produced when  
the pedal is fully advanced.  
Knob 2 CENTER Select the vowel sound produced when  
the pedal is in the halfway position.  
Knob 3 BOTTOM Select the vowel sound produced when  
the pedal is fully raised.  
* Vowel sounds A, E, I, O, U  
20  
 
Pitch bend  
Sample and play  
This is a Pitch shifter that uses the pedal to control the pitch.  
If you use this effect in a program where the AMBIENCE  
If you use this effect in a program where the MODULA-  
TION effect block is on, the MODULATION effect block  
will automatically be turned off.  
effect block is on, the AMBIENCE effect block will  
automatically be turned off.  
SAMPLE&PLAY S+PLAY”  
PITCH BEND  
P BEND”  
This allows approximately 8 seconds of recording. By using the  
reverse setting, you can produce special “scratch” effects.  
1. Press the expression pedal all the way to enter record-  
Knob 1 TIME  
Adjust the delay time.  
Knob 2 FEEDBACK Adjust the amount of feedback  
(delay repeats).  
ready mode. The pedal LED will blink.  
Knob 3 PITCH  
Knob 4 FINE  
Adjust the amount of pitch change.  
Make fine adjustments to the amount of  
pitch change.  
2. Play a phrase etc. on your guitar. Recording will begin  
automatically , and the pedal LED will light.  
3. When the recording time specified by TIME has elapsed,  
recording will end and the pedal LED will not be lit.  
Alternatively, you can stop recording before the specified  
recording time has elapsed by pressing the pedal all the  
way (i.e., pressing the pedal switch).  
Knob 5 MIX  
Adjust the mix amount of the effect. With  
a setting of 10, only the effect sound will  
be output.  
Ring modulator  
To re-do the recording, repeat the procedure from step 1.  
This effect multiplies the original sound with a sine wave to  
produce bell-like effects. The cleanest results will be produced if  
you use the neck pickup of your guitar, turn down the tone, and  
pluck the string near the twelfth fret.  
During recording, you can also return the pedal and then  
press it again to stop recording and begin playback.  
4. Operate the expression pedal. When you advance the  
pedal, the recorded phrase will playback. If you have set  
REVERSE to x1x8, returning the pedal will cause the  
sound to playback in reverse at the specified speed. If  
you set REVERSE to OFF, the sound will only playback  
forward. With a setting of LP1 or LP2, advancing the  
pedal will playback the sound as a repeating loop. When  
you return the pedal and then advance the pedal again,  
playback will begin from the beginning.  
If you use this effect in a program where the MODULA-  
TION effect block is on, the MODULATION effect block  
will automatically be turned off.  
RING MOD  
RINGMOD”  
This is a ring modulator that lets you use the pedal to control  
the frequency.  
Knob 3 PITCH  
Adjust the tone when the pedal is  
advanced.  
Recording will not begin unless you play your guitar  
louder than the threshold.  
Delay  
The recording sound will be erased when you enter  
Phrase Trainer mode or when you turn off the power.  
These effects mix a time-delayed sound with the original sound  
to add depth and spaciousness to the sound.  
Knob 1 TIME  
Specify the sample time (recording time).  
If you use this effect in a program where the AMBIENCE  
effect block is on, the AMBIENCE effect block will  
automatically be turned off.  
Knob 2 REVERSE OFF:When you press the pedal, the  
sound will playback to the end and  
then stop.  
HOLD DELAY  
HOLDDLY”  
x1x8:Press the pedal to playback, and  
return the pedal to playback in  
This will normally function as a delay, but when the pedal is  
advanced all the way forward to press the switch, the pedal  
LED will light and the sound will be held (the delay sound will  
continue to be heard). Since you can use the pedal to control  
the input level to the delay, you can easily produce special  
effects such as sound-on-sound.  
reverse.  
LP1:Press the pedal to playback as a  
loop, and return the pedal to stop.  
LP2:Press the pedal to playback as a  
loop, and return the pedal to  
TAP DELAY  
TAP DLY”  
This is a tap tempo delay that allows you to set the delay  
tempo by pressing the pedal switch twice. While the tempo is  
being specified, the pedal LED will light.  
playback to the end and then stop.  
Knob 3 ———  
Knob 4 ———  
Knob 5 MIX  
————  
————  
Knob 1 TIME  
Adjust the delay time.  
Adjust the output level of the sampled  
sound.  
Knob 2 FEEDBACK Adjust the feedback amount  
(delay repeats).  
Knob 3 TONE  
Knob 4 ———  
Knob 5 MIX  
Adjust the tone of the effect sound.  
————  
Adjust the mix amount of the effect  
sound.  
21  
 
4. Appendices  
AMBIENCE effect block  
These are reverberation-type effect models such as delay, reverb,  
and echo.  
Knob 1  
TIME  
Knob 2  
Knob 3  
TONE  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
1...10  
Knob 4  
ECHO  
Knob 5  
MIX/REVERB  
0...10  
AMBIENCE  
FEEDBACK  
0...10  
ECHO PLUS  
MULTI HEAD ECHO  
STEREO DELAY  
PING PONG DELAY  
ROOM  
60[mS]...3[SEC]  
180[mS]...3[SEC]  
0[mS]...3[SEC]  
0[mS]...3[SEC]  
1...10  
0...10  
1, 2, 3, 4, 5  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
HALL  
1...10  
0...10  
PLATE  
1...10  
0...10  
SPRING  
1...10  
0...10  
ECHO+ROOM  
ECHO+HALL  
ECHO+PLATE  
0[mS]...2[SEC]  
0[mS]...2[SEC]  
0[mS]...2[SEC]  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
0...10  
Tape echo simulator  
Reverb  
This effect model simulates the characteristic tape echo effect  
produced by recording sound on analog magnetic tape and  
playing it back from a playback head located at a slight distance  
from the recording head.  
This effect model simulates the reverberation of a room or  
concert hall, or the reverberation produced by a plate or spring  
reverb device.  
ROOM  
ROOM”  
ECHO PLUS  
ECHO+”  
This simulates the reverberation of small studio-sized rooms to  
medium-sized rooms such as a garage.  
This simulates a tape echo. Pitch discrepancies produced by  
unevenness in the rotational speed, and the distortion and loss  
of audio quality due to the magnetic tape are also simulated.  
HALL  
HALL”  
This simulates the reverberation of medium-sized halls to large  
halls.  
Knob 1 TIME  
Adjust the delay time.  
Knob 2 FEEDBACK Adjust the feedback amount (delay repeats).  
PLATE  
PLATE”  
Knob 3 TONE  
Knob 4 ———  
Knob 5 MIX  
Adjust the tonal quality of the echo.  
————  
This simulates a plate reverb device.  
SPRING SPRING”  
This effect model simulates the spring reverb devices built into  
guitar amps etc.  
Adjust the mix amount of the echo.  
MULTI HEAD ECHO MH ECHO”  
This simulates a tape echo with four playback heads. The  
distortion and loss of audio quality due to the magnetic tape  
are also simulated.  
Knob 1 TIME  
Knob 2 ———  
Knob 3 TONE  
Knob 4 ———  
Knob 5 MIX  
Adjust the length of reverberation.  
————  
Adjust the tone of the reverberation.  
Knob 1 TIME  
Adjust the delay time.  
————  
Knob 2 FEEDBACK Adjust the feedback amount (delay repeats).  
Adjust the mix amount of the reverbera-  
tion.  
Knob 3 TONE  
Knob 4 ECHO  
Adjust the tonal quality of the echo.  
1: Conventional echo.  
2:  
3:  
4:  
5:  
The delayed sound produces a  
rhythm of ta-ta-ta (rest).”  
The delayed sound produces a  
rhythm of ta (rest) ta-ta.”  
ECHO+ROOM  
ECHO RM”  
This is a dual effect model that lets you simultaneously use  
both a room reverb that simulates the reverberation of a small  
studio-sized room to a medium-sized room such as a garage,  
and a stereo delay.  
The delayed sound produces a  
rhythm of ta-ta (rest) ta.”  
ECHO+HALL  
ECHO HL”  
This is a dual effect model that lets you simultaneously use  
both a hall reverb that simulates the reverberation of medium-  
sized to large halls, and a stereo delay.  
The delayed sound produces a  
rhythm of ta-ta-ta-ta.”  
Knob 5 MIX  
Adjust the mix amount of the echo.  
ECHO+PLATE  
ECHO PL”  
This is a dual effect model that lets you simultaneously use  
both a plate reverb and a stereo delay.  
Delay  
STEREO DELAY  
ST DLY”  
A stereo delay with a time difference between the left and right  
channels adds a spacious feeling.  
Knob 1 TIME  
Adjust the delay time.  
Knob 2 FEEDBACK Adjust the feedback amount (delay repeats).  
Knob 3 TONE  
Knob 4 ECHO  
Adjust the tone of the delay sound.  
PING-PONG DELAY PP DLY”  
This is a stereo delay where the sound bounces between the  
left and right channels.  
Adjust the mix amount of the delay sound.  
Knob 5 REVERB Adjust the mix amount of the reverbera-  
tion.  
Knob 1 TIME  
Adjust the delay time.  
Knob 2 FEEDBACK Adjust the feedback amount (delay repeats).  
Knob 3 TONE  
Knob 4 ———  
Knob 5 MIX  
Adjust the tonal quality of the delay.  
————  
Adjust the mix amount of the delay.  
22  
 
Preset Program Parameter List  
When an effect block that was off is turned on, the effect model printed in a slanted typeface will be selected.  
A cabinet model appropriate for each program is selected in the CABINET effect block. If you will be using a direct output connection  
to a mixer etc., you should turn on the CABINET effect block.  
BANK# PROGRAM  
DRIVE-AMP  
CABINET  
MODULATION  
PEDAL  
AMBIENCE  
NR-PRG  
1 60’S  
BIG FUZZ  
2x12 AC30  
TEXTREM  
VOLUME  
ECHO PLUS  
0
Value7.3 5.3  
5
7
4.7  
2.3  
8
4.3  
8
6.7  
0
0
0
112 3.3  
4
3.3  
4
3
4
4
10  
10  
10  
10  
2 70’S  
FAT DIST  
4x10 TWEED  
BLACK PHASER  
VOLUME  
MULTI HEAD ECHO  
Value5.7 5.7 6.7 5.7 7.3  
2
8
4.3  
1.3 0.14 –  
356 3.7 4.7  
3
3.7  
1
3 80’S  
CLASSIC DIST  
4x12 VINTAGE  
MOD DELAY  
VOLUME  
ECHO HALL  
Value9.3  
6
3
5.7 7.3  
3
9
4.7  
9.5 3.7 0.38 4.3 6.0  
101  
4
7
4.3  
4 90’S  
METAL DIST  
4x12 MODERN  
MOD DELAY  
VOLUME  
ECHO ROOM  
Value—  
9
6.7  
4
4
6.7  
1.7  
8
6.3  
625  
0
0.32 4.3  
6
0
0
61  
0
5
6.3 4.7  
1 TELBILY  
TUBE OD  
1x12 BLACK PANEL TEXTREM  
VOLUME  
ECHO ROOM  
1
2
3
4
5
6
7
8
9
Value—  
3
10  
2
2.7 1.7  
1.7  
6
7
4
5.3  
125 4.3 10 7.3 6.7  
OFF 10  
2 TRIPPER  
TOP BOOST  
2x12 AC30  
CLASSIC CHORUS VOLUME  
ROOM  
Value2.7  
9
6.7  
4
3
6
3
7
2
8
4.3  
1
5
1
0
1
2.7  
6.7  
1.7  
10  
5
3
6
6
3
4
6
6
10  
10  
10  
10  
10  
10  
10  
3 VOODOO1 BIG FUZZ  
4x12 CLASSIC  
AUTO WAH  
VOX WAH  
HALL  
Value5.7 6.7 5.7  
4.3  
4.3  
8
0.7  
7
4.7  
4
5.3 UP  
5.3  
3.3  
2.7  
3
4 VOODOO2 BIG FUZZ  
4x12 CLASSIC  
BLACK PHASER  
U–VIBE  
PLATE  
Value—  
7
6
4.3  
1
9
3.7  
0
8.0  
5.7  
3.3  
1 SUGAR  
TUBE OD  
1x12 AC15  
CLASSIC CHORUS CHORUS/FLANGER HALL  
Value6.7  
7
4.7  
2
10 0.7  
2
4.7  
1
5.7  
0
0.2 5.3  
0
5
0
0
0
7.7  
5.3  
2 ZLPLLLN  
FAT DIST  
4x12 VINTAGE  
ORANGE PHASER VOLUME  
ECHO HALL  
Value4.3 7.3 2.3 3.7 8.7  
1
8
6
7.3 0.18 –  
80 4.3 5.3 5.3 1.7  
3 LIZZY  
BRIT STACK  
4x12 VINTAGE  
PITCH SHIFTER  
PITCH BEND  
PLATE  
Value6.7 5.7 6.7 5.7 6.3  
2.3  
7
5.7  
0
0
12  
0
10  
0
0
12  
0
3.3  
9
3.7  
4 WARPIGS  
BIG FUZZ  
4x12 VINTAGE  
MOD DELAY  
VOLUME  
PLATE  
Value—  
8
7
6.3  
0
4.3  
2.3  
8
5.7  
529  
4
0.5 6.3 5.3  
3.3  
9
3.3  
1 SUMMER  
CLASSIC COMP  
2x12 BLACK PANEL MOD DELAY  
VOLUME  
STEREO DELAY  
Value—  
1
8.3 4.3  
3
5
3
8
7
5
1
8
5.3  
49.4 0  
0.1  
6
6.3  
188 4.7  
3
4
OFF 10  
2.3 10  
2 SCREAM  
TUBE OD  
4x12 VINTAGE  
ORANGE PHASER VOLUME  
ROOM  
Value7.3 7.3 2.3  
AP  
8
0
3.7  
8
6
2.3  
2.7  
4
3 MR–FV  
4 AIN’T  
FAT DIST  
4x12 MODERN  
AUTO WAH  
VOX WAH  
ECHO PLUS  
Value9.7  
7
4
LN  
9
4.3  
8.3  
4.7 UP  
420 4.7 4.7  
6
4
10  
10  
CLASSIC DIST  
4x12 CLASSIC  
CLASSIC FLANGER CHORUS/FLANGER MULTI HEAD ECHO  
Value10  
7
2.3 4.7  
9
0.7  
8
7.3  
1.3  
4
0.26 3.3  
1
4
0.26 3  
230  
0
1.7  
5.3  
1
3.7  
2.3  
2.3  
2.3  
3.3  
1 TALLICA  
ACOUSTIC  
1x12 TWEED  
STEREO CHORUS VOLUME  
HALL  
Value7.3 6.7 9.7  
3
8
1
7
10  
3.3  
0.38 5.7  
0
7.7  
2.3 10  
OFF 10  
6.3 10  
2 90’SVOX  
TOP BOOST  
2x12 AC30  
TEXTREM  
VOLUME  
SPRING  
Value—  
4
8
3.3  
5
8
AP  
9
0.3  
8
6.7  
0
4.3  
5.3  
6.7  
6.7  
3 CORN  
4 DYME  
METAL DIST  
4x12 CLASSIC  
MOD DELAY  
VOLUME  
ROOM  
Value—  
9
6
8.3  
2
8
1.7  
8
5.7  
324  
0
0.6 5.7 6.3  
0
2.7  
METAL DST  
4x12 MODERN  
BLACK PHASER  
VOLUME  
ROOM  
Value10 6.3 8.7  
1
6
1.3  
8
6
2.3 0.1  
0
2.7  
7
3
3
3
6
10  
10  
10  
10  
10  
1 3–HEAD–  
TOP BOOST  
2x12 AC30  
STEREO CHORUS VOLUME  
MULTI HEAD ECHO  
Value8.3 6.3  
3
7
2.3  
2.7  
7
4.3  
1.3  
0.14 3  
0
463 3.7 5.7  
3
3.7  
2 TAP DLY  
TUBE OD  
1x12 BLACK PANEL MOD DELAY  
TAP DELAY  
HALL  
Value—  
7
7.7 0.7 4.3 6.3  
1.3  
7
0.3  
729 3.7 0.26 4.7 5.7  
750 3.7  
4
7.7  
0
6.7  
3.3  
4.7  
3 TOWER  
SEATTLE  
4x12 VINTAGE  
OCTAVE  
VOLUME  
MULTI HEAD ECHO  
Value—  
2
6.3  
6
4.7 6.3  
0.7  
8
5.7  
3.3 10  
180 4.3  
6
1
5
4 MONSTER  
METAL DIST  
1x12 TWEED  
PITCH SHIFTER  
VOLUME  
ECHO PLUS  
Value10 7.7 2.3 2.7 6.3  
1
7
8.3  
0
0
7
0
10  
0
655 5.7 5.3  
5.3  
1 HOLD  
CLASSIC COMP  
1x12 AC15  
STEREO CHORUS HOLD DELAY  
STEREO DELAY  
Value5.7  
8
1.3 4.7 8.3  
1
7
4
1.7  
1
5
3.0  
0
5.3  
8.7  
750  
5
5.3  
5
5
OFF 10  
2 S+P SLW  
TOP BOOST  
2x12 CLASS A  
MOD DELAY  
SAMPLE&PLAY  
PLATE  
Value8.3  
6
4.3 5.7  
7
1
8
5
841  
4
0.6 6.3 3.7  
8
1
8.7  
2
6.3  
3
5
6
3
10  
10  
10  
10  
3 S+P FST  
US HI–GAIN  
4x10 TWEED  
STEREO CHORUS SAMPLE&PLAY  
PING PONG DELAY  
Value10  
7
3.7 2.7 6.3  
0.7  
6
7.3  
3.3  
0.38 5.7  
8
3
8.7  
2
4
6.3  
5
4 S/LOOP  
BRIT STACK  
4x12 MODERN  
STEREO CHORUS SAMPLE&PLAY  
SPRING  
Value8.7  
7
2.7 2.7  
7
2.7  
9
5
3.3  
0.38 5.7  
8
LP2 –  
8.7  
0
3.3  
8
9
5.3  
5
1 AC/CHOR  
ACOUSTIC  
1x8 TWEED  
STEREO CHORUS VOLUME  
PLATE  
Value—  
5
9.3 6.7 6.3 6.3  
1
8
9.7  
3.3  
0.44 5.7  
3.3  
2 CHORUS  
CLASSIC COMP  
2x12 AC30  
STEREO CHORUS VOLUME  
SPRING  
Value2.7  
7
8.3 5.7  
6
7.7  
8
1.3  
3.3  
0.8  
4
0
3.3  
8
6
OFF 10  
3 PHASCLN  
CLASSIC COMP  
1x12 BLACK PANEL BLACK PHASER VOLUME  
ECHO+ROOM  
Value—  
2
9.3 5.3  
1
7.3  
1
7
8
1
0.14 –  
0
45  
0
5.3 3.3  
4
2
6
3
3
6
6
3
4
7
10  
10  
10  
10  
10  
10  
10  
10  
10  
4 FLANGE  
FAT DIST  
1
x12 BLACK PANEL CLASSIC FLANGER VOLUME  
HALL  
Value9.3 7.7 0.7 2.3 4.3  
1
8
7.7  
1.7 3.3 0.16 8.3  
0
10  
1.7  
2.7  
5
1 FILTRON  
CLASSIC COMP  
2x12 AC30  
FILTRON  
VOLUME  
SPRING  
Value—  
2
9
4
2
8.3  
7.3  
7
3.3  
8
2.7  
7
6
3.3 UP  
0
7.3  
5
2 TRAVEL  
TOP BOOST  
2x12 AC30  
BLACK PHASER  
TRAVELER  
ROOM  
Value—  
4
6.7  
3
7
4
4
8.7  
8
3.3  
3.3 0.6  
6.7  
7
4
1.7  
6.7  
3
3 FZ WAH  
BIG FUZZ  
4x12 MODERN  
AUTOWAH  
VOLUME  
HALL  
Value5.7 6.3 4.7  
1.7  
9
5
2.3  
6.3 DN  
0
4.7  
4
4 G + R  
1 SPACE  
FAT DIST  
4x12 VINTAGE  
ORANGE PHASER VOX WAH  
ECHO+PLATE  
Value10 6.3 3.7  
6.7  
1
7
5
5
9
1.2  
4
7.3 5.7  
2
CLASSIC COMP  
1x12 BLACK PANEL PITCH SHIFTER  
PITCH BEND  
HALL  
Value7.3 8.7  
1
4
4
2.7  
5
1
9
6.7  
441 4.3 5  
0
6
10  
10  
441 4.3 12  
0
5
3.3  
5.3  
5.3  
2 SUBHARM  
SEATTLE  
2x12 CLASS A  
OCTAVE  
VOLUME  
ECHO+PLATE  
Value—  
7
6.7 2.3  
1
6
6
0
320  
3
4.3 5.3  
4
3 RINGMAN CLASSIC DIST  
4x12 VIN  
CLASSIC CHORUS RING MOD  
MULTI HEAD ECHO  
Value7.3  
7
1
4
8.7  
1
6
8.3  
0.2 3.3  
2
4
7
1.37 2  
8.3  
9.3  
3
3.7  
6
4 BIZKIT  
BIG FUZZ  
4x12 CLASSIC  
MOD DELAY  
TALK  
ROOM  
Value10 4.7 8.3 6.3 5.3  
1
9
0.3  
625  
4
0.18 7.7  
A’ ‘E’ ‘I’  
3.3  
7.3 10  
23  
 

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